Sony FX3

The Best Sony Mirrorless Camera – Sony Alpha FX3

Sony Mirrorless Camera Alpha FX3 ILME-FX3 

A state-of-the-art full-frame cinema line camera for professionals in filmmaking and video creation is the Sony Alpha FX3 ILME-FX3. It is a member of Sony’s Alpha series and was created especially for the creation of cinematic videos.

With its full-frame sensor, this small and light camera can record high-definition, cinematic video with exceptional low-light performance and superb dynamic range. With clear details and vibrant colors, it can create spectacular 4K and even 6K videos thanks to its strong image processing skills.

The FX3 is designed with a variety of professional features, including cutting-edge autofocus technology for seamless and accurate subject tracking, making it perfect for hectic shooting situations. Additionally, it supports a variety of recording formats, including internal 10-bit 4:2:2 recording.

Sony alpha fx3 ilme-fx3 full-frame cinema line camera review

Sony Mirrorless Camera FX3 – UHD 4K Video 

By combining a 12.1MP Exmor R BSI CMOS sensor with a BIONZ XR processor, the FX3 can capture UHD 4K video with internal 10-bit 4:2:2 sampling or 16-bit raw output. With an extended ISO 80-409,600 range and a higher than 15-stop dynamic range for working in a variety of lighting settings, the sensor’s BSI architecture enhances clarity and sensitivity. amazon

The S-Cinetone mode, which offers color and tonal flexibility, may be used to match VENICE, FX9, or FX6 sources. It also supports the S-Log3/2 gamut and 10-bit HLG for straightforward HDR projects. Additionally, the sensor and CPU collaborate to significantly lessen the rolling shutter, and the Fast Hybrid AF technology built into the sensor allows for speedy and intelligent subject tracking. Discover the world of Sony Mirrorless Camera excellence with Sony’s groundbreaking camera technology.

4K Full-Frame CMOS Exmor R Sensor

The FX3 offers real cinematic expression with 10.2MP effective video and 12.1MP stills capture thanks to a 12.1MP Exmor R sensor and BIONZ XR processor. The full-frame sensor offers fewer rolling shutter artifacts, stunning bokeh, and the appearance narrow depth of focus.

With a basic sensitivity range of 80–102,400 expanding to a stratospheric 409,600 for remarkable low-light capture, and 15+ stops of dynamic range, there is enough of room for color grading to capture the subtleties of both breathtaking exteriors and meticulously lit interior scenes. Unleash your cinematic vision with the Sony Alpha FX3 ILME-FX3 – the ultimate full-frame cinema companion.

S-Cinetone Color

The S-Cinetone color setting on the FX3 produces stunning skin tone replication and a softer-toned aesthetic that blends well with your VENICE, FX9, or FX6 video. With the variety of Sony Cinema Line cameras, S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 capabilities assist retain rich gradation and color matching, while HLG HDR offers the option of direct HLG playback without the requirement for grading.

Video Recording

Up to 4K 120p picture capture at up to 5x slow motion at 24p output is possible. There are several recording options, including the capacity to concurrently record XAVC 4K and proxies in-camera and output DCI 4K+ in 16-bit raw via HDMI to compatible recorders. Internal 4K recording choices include All-Intra and Long GOP codecs in 4:2:2 10-bit color.

  • Silent fans and heatsinks remove heat to allow continuous filming at up to 4K60 resolution.
  • For simple relay or backup recording, dual SD card ports support both CFexpress Type A and SDXC cards.
  • Super35 1080p capture at up to 240p frame rates

Steady Focus

  • Now even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.
  • Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.
  • Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame

Ergonomic Form for Solo Operation

amazonBecause the FX3 is designed without a cage, you may put 14″-20 compatible accessories right on the camera or on the detachable handle, which eliminates the weight and setup/teardown time of a cage. One-handed operation is made possible by the clustered record button, the focus and menu controls, and the six assignable buttons, freeing up your left hand for lens balance or control.

Easily Viewable Tally Lights

Top, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.Sony Mirrorless Camera

Quality Audio Options

Pro audio recording options include:

  • A detachable XLR adapter handle with two XLR-1/4″ TRS combo audio inputs
  • A mic holder and a 3.5mm input for adding a microphone
  • Up to 4-channel, 24-bit audio recording

Improved FX3 Features

The FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.

Common FX3/FX6/a7S III Features

The FX3 has the following characteristics, much like the FX6 and a7S III:

  • Exmor R CMOS sensor with a backlight, 12.1 MP, and a BIONZ XR processor for full-frame cameras
  • 240p in HD and 120p in 4K at high speeds
  • 15+ stops of dynamic range

Shared FX3/FX6 Attributes

Attributes that the FX3 has in common with the larger FX6 camera include:

  • S-Cinetone, S-Log3, HLG, and Rec. 709 gamma optionsSony FX3
  • Tally lamps on the front, side, and rear
  • An internal fan to prevent overheating
  • A zoom lever for easy frame adjustments

Shared FX3/a7S III Attributes

Attributes that the FX3 shares with the a7S III include:

  • 5-axis in-body image stabilization
  • 16-bit raw output via HDMI
  • S-Log2 gamma choice
  • 80 to 409,6000 ISO range (expanded)

Wireless Connectivity

  • Dual-band 2.4/5 GHz wireless connectivity
  • Wired LAN link using the USB Type-C port and a separate adapter

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GeneralCAMERA TYPE
Interchangeable lens digital camera
LENS MOUNT
E-mount
Size & WeightDIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)
2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)

2 lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)
WEIGHT (MAIN UNIT ONLY) (APPROX.)
1 lb 9.3 oz (715 g) (with battery and memory card included), 1 lb 6.6 oz (640 g) (body only)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)
5.11 x 3.06 x 3.33 inches (129.7 mm x 77.8 mm x 84.5 mm) (body without protrusions)
PowerPOWER CONSUMPTION
[Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
BATTERY OPERATING TIME
Approx. 95 min (Actual recording, CIPA standard)  1, Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)
OperationSTORAGE TEMPERATURE
–4 °F to +131 °F, –20 °C to +55 °C
STORAGE TEMPERATURE
–4 °F to +131 °F, –20 °C to +55 °C
OPERATING TEMPERATURE
32 °F to 104 °F (0 °C to 40 °C)
Recording Format (Video)XAVC HS
[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
XAVC S
[XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
Recording Format (Audio)RECORDING FORMAT (AUDIO)
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
Recording Frame RateXAVC S-I
[XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p,
XAVC S
[XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC HS
[XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p
Recording/ Playback TimeXAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes
XAVC S
[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes
PROXY AUDIO
XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO
1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)
XAVC HS
[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes
RAW OutputRAW OUTPUT
HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
Other Video FunctionVIDEO FUNCTIONS
Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Camera SectionSHUTTER SPEED
Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb
SENSITIVITY
[Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit)
PIXELS
Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
SENSOR TYPE
35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Slow & Quick MotionXAVC S-I
XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps 2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps 2
XAVC S
XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps 2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps 2
XAVC HS
XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
White BalanceWHITE-BALANCE MODES
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
GammaGAMMA CURVE
Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
LatitudeLATITUDE
15+ stop (S-Log3)
Focus SystemFOCUS MODE
[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
SENSITIVITY RANGE
EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
FOCUS AREA
[Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
TYPE
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
OTHER FOCUS FEATURES
Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
FOCUS POINT
[Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)
Exposure ControlEXPOSURE MODES
[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M  
METERING SENSITIVITY
EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
Recording (Still image)IMAGE SIZE
Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
RECORDING FORMAT
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
PlaybackPLAYBACK FUNCTIONS
Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
Interface
BLUETOOTH®
Bluetooth Standard Ver. 5.0 (2.4 GHz band)
HEADPHONE OUTPUT
Yes (3.5 mm Stereo minijack)
USB
USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi/Micro USB (x1)
AUDIO INPUT
0.14 ” Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 0.14 ” Stereo minijack)
SPEAKER OUTPUT
Built-in, monaural
HDMI OUTPUT
HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit
MULTI INTERFACE SHOE
With Digital Audio Interface
MediaMEDIA TYPE
CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
MonitoringLCD
7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.
Built-in MicrophoneBUILT-IN MICROPHONE
Built-in, stereo
File SystemFILE SYSTEM
FAT12, 16, 32, exFAT
ZoomZOOM FUNCTION
Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)
Still image functionSHUTTER
Mechanical shutter/Electronic shutter
DRIVE MODES
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
OTHER STILL IMAGE FUNCTION
Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot 3
CONTINUOUS SHOOTING SPEED
Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
NOISE REDUCTION
Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off
FLASH CONTROL
Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s
Image StabilizationMODE
[Movie] Active / Standard / Off, [Still image] On / Off
TYPE
Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications)
MODE
[Movie] Active / Standard / Off, [Still image] On / Off
TYPE
Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications)
COMPENSATION EFFECT (STILL IMAGES)
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom FunctionCUSTOM FUNCTION
Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens CompensationLENS COMPENSATION
Peripheral Shading, Chromatic Aberration, Distortion
Wi-Fi/NFCFREQUENCY BAND
2.4 GHz band/5 GHz band 4
SUPPORTED FORMAT
IEEE 802.11a/b/g/n/ac
NFC
NFC Forum Type 3 Tag-compliant
SECURITY
WEP/WPA-PSK/WPA2-PSK
FTP TransferFTP TRANSFER
Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Supplied AccessoriesSUPPLIED ACCESSORIES
Rechargeable Battery NP-FZ100, Battery Charger BC-QZ1, Power cord, XLR handle unit, Accessory shoe kit, Body cap, Accessory shoe cap, Handle shoe cap, USB-A to USB-C cable (USB 3.2)

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